Initial questions of my study: How can theater and art reflect on assassinations and terrorist attacks? What options of reprocessing traumatic events do we have especially in performing arts?

The aim is to develop a performance structure that refrains from fictional repetition and all spectacularity and questions instead how common spaces can be established that might support and strengthen us as a multicultural society.

Working title: »Punishment, Memorial, Consolation«
(Inspires by a poem by the Norwegian author Cecile Løveid)

How to perform between structure and spontaneity?
Are you afraid of the script or of its absence?

Seminar course
Department of Classical Studies, Rhetoric
Paris-Lodron-University Salzburg, 2020

In collaboration with the voice coach Sylvie Polz