Initial questions of my study: How can theater and art reflect on assassinations and terrorist attacks? What options of reprocessing traumatic events do we have especially in performing arts?

The aim is to develop a performance structure that refrains from fictional repetition and all spectacularity and questions instead how common spaces can be established that might support and strengthen us as a multicultural society.

How to perform between structure and spontaneity?
Are you afraid of the script or of its absence?

Seminar course
Department of Classical Studies, Rhetoric
Paris-Lodron-University Salzburg, 2020

In collaboration with the voice coach Sylvie Polz